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Live at St George's

by O'Hooley & Tidow

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1.
The robin calls, the robin sees The robin flies to the tallest tree The tallest tree so far from earth The robin watches from the highest perch The highest perch, the longest view The robin watches me and you Me and you, them and them Observer of maelstrom She turns her head towards the brine A lifeboat caught in the salty swell The salty sweat of desperate souls Lives preserved by hull and stern A jouncing head, with begging eyes Grasping hands that scrape the side Despite more flesh than boat can bear Of course they could not let him die And in the night that closed that day, with beak in wing she dreams Of Africa, desolation, thirsty, sun-scorched fields Crops sent o’er to feed the fat whilst mother’s milk runs dry This time in the lifeboat, the rescued shut their eyes Her eyes fix on a distant cry A hooded child with arm aloft Alarms and sirens mask the crack Cheers and smiles as brick hits glass A swarm of bats with cloak and shield A flock of magpies hoarding junk The nest of things soon boarded up And looting birds caged up The second night, her sleep disturbed by visions of a street Where crows in pinstripe uniform, gather to repeat The systematic ruin of the commoner’s nest egg To feast upon their bonuses and then freely fly onwards
2.
Wasn’t an easy birth Smacked me head coming out Made me rugged, shoulders broad Ready to carry, ready to work Foreign on me tongue Dialect, disarm Spot the incomer miles away When I turned up knowing no-one When I showed up knowing no-one Colne Valley Hearts Necklace of red Colne Valley Hearts Hand over heart over hand Cold hands, warm hearts Lighting up the cut tonight Back o’dam I saw her Translucent, barely there Cradling her clutch of carrier bags Lullabies sung to air By the cenotaph Smoked from inside out Furrows deep as valley sides Bejewelled with the kindest eyes She has the kindest eyes Smog stained stone Makes us know we’re home
3.
The grace of a train having to go slow The turning of turbines, ten in a row The rain’s net curtain over there in the distance And one field lit up by the sun Breathing in, breathing out None of this is said out loud That’s the size of my love for you That’s a world we have made From one and one to two The skeleton fingers of trees making circles Plane lines of winter skies uncurling like tendrils Hot tea on cold mornings, warm bed at the dawning Hopeless to get out of bed Oh the things that we say Only to each other That turned a friend into a lover
4.
Two Mothers 06:03
As I lay you gently down to sleep, I hear my mother’s voice lilting to me Unexpected child was I upon a young girl Through her tears she sang me farewell Come sing a song for the mothers Who held you in their arms, when you were a child Who sacrificed their dreams for ours, taught us to fly Soothing our fears with her lullaby Wrapped up in mother’s crocheted shawl I crossed a faraway sea to a world turned around New hands, a bottle, kind eyes and a strange lullaby My new mother answered my cries Time like the tide she ebbs and flows And in my arms I cradle a child of my own Her eyes the forest green, whilst mine are cornflower blue Perhaps they’re a keepsake from you
5.
Beryl 04:17
You might think that she was born on two wheels Mam and dad behind her and the stars at her heels Never looking back, I’m gonna make me mark Born into nothing, a shy awkward lass Coordination? St Vitus her dance Never looking back, I’m gonna make me mark I will not lead a life of disillusionment and disappointment Beryl Heart beats to the pedal Like the salmon has to leap Not about the medals Feet flat to the metal Push and push and push, repeat Mother, worker, wife, champion on t’side Like her curly crop, tightly organised Never looking back, I’m gonna make me mark Sprockets and mudguards, Charlie’s her guy Dancing through the ginnels, the Queen of British time Never looking back, I’m gonna make me mark. Head down, eyes forward, pulsing, sprinting to find the sweet spot
6.
I saw him on the front row, he always sat there alone Ronnie was a scarecrow, down at heel, boho Aficionado of anything Broadway Bernstein and Sondheim kept loneliness at bay Stumbling through the town with coins in hand To bank them for a conversation Cashier lifts her eyes to heaven Ronnie had low expectations A person is a person It makes no odds to me A person is a person Just like you and me Derelict, frozen and sleeping under filth Wounded, feral but strangely seraphic Walls thronged with stars of the Music Hall Though the person that saved him An ordinary girl Once a little boy, a mother’s son Light on his feet, his father told him ‘Don’t do things like that round here’ Filled with moral apprehension Breaking of bread and drinking wine For once he had a shared communion Chose to spend her Christmas time With someone viewed as barely human
7.
The Hum 04:06
Hum is the sound In the sound, in the sound Hum Jennifer and Wayne would often times complain Viewing a house where a factory remained The singular reason they pulled out of the sale It would never pass in pursuit of middle class To wake up to that din, it really wouldn't do How could they retire when the poor refused to? When the poor refused to? Clever Mrs B, she cared for herself Preferring poppies to cigarettes I'd say Found the poison nectar, draped in nicotine Equivalent dose to 60 fags a day Should we side with pest, or let human do its best? Eradicate with ease, a hundred million years The hum is the people is the sound Of the people in the sound Are the people in the sound Of the people is the Hum, is the buzzing is the sound Of the buzzing of the bees, Is the humming of the Sound of the buzzing is the Hum Decisions from above, from those who have the means To spray the common folk, expunge community How lovely it must be The hum is a factory is a mine is a playground is a hive is a garden is a school is a village is a choir is a forest is a town is a person is a group is a heart is a mind is a voice is the hum.
8.
Drink up, baby, stay up all night With the things you could do, you won't but you might The potential you'll be that you'll never see The promises you'll only make Drink up with me now and forget all about The pressure of days, do what I say And I'll make you okay and drive them away The images stuck in your head People you've been before that you Don't want around anymore That push and shove and won't bend to your will I'll keep them still Drink up, baby, look at the stars I'll kiss you again, between the bars Where I'm seeing you there, with your hands in the air Waiting to finally be caught Drink up one more time and I'll make you mine Keep you apart, deep in my heart Separate from the rest, where I like you the best And keep the things you forgot
9.
I am the keeper of secrets I keep my back to the wall I am their mother and their daughter They think I know nothing at all Assertion is aggressive Ambition a barren place Pink is our prison Language honed to subjugate A right to education Like fearless Malala I am a woman in space We've been choke chained and muted Fitted with concrete shoes Wings clipped and tethered Assembled to be consumed When we look at Earth from above Swimming in the silent sea There are no borders or limits A pale blue dot is all we see Holding it in tension Like Valentina Tereshkova Refusal to surrender Just like Rosa Parkes
10.
All for me grog, me jolly jolly grog All for me beer and tobacco Ooh I spent all me tin on the lasses drinking gin And across the western ocean I must wander Where are me boots, me noggin’, noggin’ boots? All gone for beer and tobacco The heels are all worn out and the soles are knocked about And me toes are looking out for better weather Where is me brain, me noggin’, noggin’ brain? It’s wrinkled and dried like a raisin No memories retained, me liver’s much the same And me booze breath would fell the tallest timber Where is me phone, me noggin’, noggin’ phone? The night’s not complete without a selfie I was trying to dry it out, cos I dropped it in me stout And now I think I’ve flushed it down the kazi! Where is me purse, me noggin’, noggin’ purse? Last saw it three weeks a Friday You’ll have to buy this round, I’ve only got a pound And I need that for the last bus back to Clifton
11.
Blanket 05:10
Wrap me in patchwork Colours on grey Material mother Waterless whale Born into conflict Something our species dictates Stay with me in the dark hours Cloak my frightened head Side by side, standing tall You and me My beautiful friend Heavily footed Powerful grace Paper thin eyelids Trauma replayed Stately procession Fate to be toppled or saved
12.
Like Horses 05:21
In the gloaming, the darkening Morpheus whispers his sweet lullaby Silent prayers are mouthed “Send him home safely”, “I’ll be good” Three; the loneliest hour For cowards, fools and me. Why can’t we be... Like Horses Horses Like Horses Gentle and king? From the blood plains, to the high street Where does the boy go, that becomes the man? Inward grieving, outward seething, Self-deceiving, human Three; the loneliest hour Uncovers the child in us all
13.
Behind her back she’s Gentleman Jack A Yorkshire lady of renown Ever so fine, won’t toe the line Speak her name, gentlemen frown At Shibden Hall she had them all The fairer sex fell under her spell Dapper and bright, she held them tight Handsome Anne seduced them well Gentleman Jack, oh Gentleman Jack Watch your back, you’re under attack The husbands are coming, you’d better start running For nobody likes a Jack-the-Lass Jack-the-lass, Jack-the-Lass No-one likes a Jack-the-Lass The code is cracked, your bags are packed The knives are out for Gentleman Jack Proud and stout and full o’clout She played the fellas at their game Sharp of mind, she’s one of a kind Devilish ways the men couldn’t tame Hidden away, revealed today Loaded words in diaries found Wants exposed in a baffling code Lusty letters all leather bound Behind her back she’s Gentleman Jack She’s Gentleman Jack behind their backs

about

It has been 10 years since Belinda O’Hooley and Heidi Tidow began writing songs and singing together as O’Hooley & Tidow. And what a decade. This album; recorded live just before lockdown at the beautiful St George’s Bristol, showcases a clutch of songs that tell stories about something or someone that has affected the duo in a deep and moving way. They feel intensely privileged to be able to sing about interesting and inspiring characters such as Beryl Burton, Anne Lister, Ronnie and many others who have given them, and hopefully their listeners, inspiration. Each song has been their baby at some point, carefully nurtured through the gentle process of contemplating, writing words, coming up with melodies and chords, and working on an arrangement. They have all over the years taken on new life and meaning with the many and varied audiences the duo shared them with along the way. There is also the song ‘Small, Big Love’ handwritten for the couple’s wedding day by Mercury nominated artist Kathryn Williams and Belinda and Heidi’s interpretation of the late Elliott Smith’s ‘Between the Bars’. The album is dedicated to their little boy, Flynn, who grew in Heidi’s belly listening to these songs, and who is very much a central part of this and every tour and also to the audiences that have loyally supported the duo over the years.

Belinda: “We were fortunate enough to be able to perform our #GentlemanJack Tour, just before the pandemic and lockdown began, and for many of our audiences, it was their last gig of this uncertain time too. Our concert at St George’s in Bristol was one of the most memorable of our career, playing their gorgeous Steinway Model D piano to a completely sold out audience. The atmosphere that night was incredible and one that will stay in our hearts forever. We are so glad we recorded it!”

Featuring a new composition; ‘Woman in Space’ and the hit theme song ‘Gentleman Jack’ from Sally Wainwright’s HBO/BBC drama ‘Gentleman Jack.’

‘Boundless songwriting and exquisite harmonies that truly shine.’ ***** The Guardian

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released September 14, 2020

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O'Hooley & Tidow Huddersfield, UK

ENGLAND'S ANSWER TO THE MCGARRIGLES

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